Karawane
Hugo Ball
Lu par LibriVox Volunteers
Karawane is a groundbreaking poem by Hugo Ball that embodies the spirit of the Dada movement, a radical cultural response to the chaos of World War I. Composed entirely of nonsensical words, this work challenges traditional notions of meaning and language, inviting listeners to explore the beauty found in absurdity.
Written in 1916, during a time of profound societal upheaval, Ball's poem reflects the Dadaists' rejection of conventional art and their critique of the modern world. The poem serves as a manifesto of sorts, emphasizing the movement's anti-war and anti-bourgeois sentiments while celebrating the freedom of expression.
As you listen to this collection of recordings by LibriVox volunteers, immerse yourself in the playful yet thought-provoking nature of Karawane. This unique piece not only showcases the innovative spirit of its time but also invites reflection on the role of art in a world rife with meaninglessness.
Chapitres
Select a chapter to play
| Karawane - Read by AC | 0:51 | Lu par Anne Cheng | |
| Karawane - Read by DL | 1:01 | Lu par David Lawrence | |
| Karawane - Read by DRB | 0:59 | Lu par David Barnes | |
| Karawane - Read by DW | 1:05 | Lu par Dirk Weber | |
| Karawane - Read by ELLI | 0:44 | Lu par Elli | |
| Karawane - Read by EZWA | 0:50 | Lu par Ezwa | |
| Karawane - Read by GHS | 0:47 | Lu par Algy Pug | |
| Karawane - Read by HF | 0:59 | Lu par Karlsson | |
| Karawane - Read by JCM | 0:53 | Lu par Jason Mills | |
| Karawane - Read by LLW | 1:01 | Lu par Leonard Wilson (1930-2024) | |
| Karawane - Read by MG | 1:40 | Lu par Martin Geeson | |
| Karawane - Read by MGT | 0:54 | Lu par Maria Grazia Tundo | |
| Karawane - Read by NJB | 1:14 | Lu par Nicholas James Bridgewater | |
| Karawane - Read by RG | 1:08 | Lu par Ruth Golding | |
| Karawane - Read by RJD | 1:21 | Lu par Ryan DeRamos | |
| Karawane - Read by SR | 1:00 | Lu par Sonja | |
| Karawane - Read by TG | 0:54 | Lu par TriciaG |
Critiques
Marvellous beyond words...
aposiopesis
I have just experimented with playing this piece in reverse, and its magic is undiminished. A twentieth century landmark.