The Stones of Venice, Volume 1
John Ruskin
Gelesen von LibriVox Volunteers





The Stones of Venice is a three-volume treatise on Venetian art and architecture by English art historian John Ruskin, first published from 1851 to 1853. Intending to prove how the architecture in Venice exemplified the principles he discussed in his earlier work, The Seven Lamps of Architecture, Ruskin examined the city in detail, describing for example over eighty churches. He discusses architecture of Venice's Byzantine, Gothic and Renaissance periods, and provides a general history of the city as well. The book aroused considerable interest in Victorian Britain and beyond. The chapter "The Nature of Gothic" (from volume 2) was admired by William Morris, who published it separately in an edition which is in itself an example of Gothic revival. It inspired Marcel Proust; the narrator of the Recherche visits Venice with his mother in a state of enthusiasm for Ruskin. The Stones of Venice is considered one of the most influential books of the 19th century. (Summary adapted from the Wikipedia by Leni) (14 hr 12 min)
Kapitel
Preface | 14:40 | Gelesen von Stephanie Lee |
Chapter 01, The Quarry, part 1 | 22:14 | Gelesen von Stephanie Lee |
Chapter 01, The Quarry, part 2 | 20:36 | Gelesen von ToddHW |
Chapter 01, The Quarry, part 3 | 26:25 | Gelesen von ToddHW |
Chapter 02, The Virtues of Architecture | 28:30 | Gelesen von Availle |
Chapter 03, The Six Divisions of Architecture | 11:11 | Gelesen von Availle |
Chapter 04, The Wall Base | 13:21 | Gelesen von MorganScorpion |
Chapter 05, The Wall Veil | 10:30 | Gelesen von MorganScorpion |
Chapter 06, The Wall Cornice | 16:37 | Gelesen von MorganScorpion |
Chapter 07, The Pier Base | 29:26 | Gelesen von Nicole Lee |
Chapter 08, The Shaft | 51:38 | Gelesen von Pamela Krantz |
Chapter 09, The Capital | 39:30 | Gelesen von Pamela Krantz |
Chapter 10, The Arch Line | 20:06 | Gelesen von MorganScorpion |
Chapter 11, The Arch Masonry | 26:35 | Gelesen von MorganScorpion |
Chapter 12, The Arch Load | 5:28 | Gelesen von Snapdragon |
Chapter 13, The Roof | 14:17 | Gelesen von MorganScorpion |
Chapter 14, The Roof Cornice | 26:19 | Gelesen von MorganScorpion |
Chapter 15, The Buttress | 18:45 | Gelesen von MorganScorpion |
Chapter 16, Form of Aperture | 21:35 | Gelesen von Rholdah |
Chapter 17, Filling of Aperture | 25:34 | Gelesen von Rholdah |
Chapter 18, Protection of Aperture | 12:34 | Gelesen von Little Tee |
Chapter 19, Superimposition | 27:24 | Gelesen von Pamela Krantz |
Chapter 20, The Material of Ornament, part 1 | 28:40 | Gelesen von Lucretia B. |
Chapter 20, The Material of Ornament, part 2 | 45:10 | Gelesen von Lucretia B. |
Chapter 21, Treatment of Ornament, part 1 | 26:22 | Gelesen von MorganScorpion |
Chapter 21, Treatment of Ornament, part 2 | 29:29 | Gelesen von MorganScorpion |
Chapter 22, The Angle | 14:48 | Gelesen von MorganScorpion |
Chapter 23, The Edge and Fillet | 21:49 | Gelesen von doonaboon |
Chapter 24, The Roll and Recess | 11:41 | Gelesen von doonaboon |
Chapter 25, The Base | 33:51 | Gelesen von doonaboon |
Chapter 26, The Wall Veil and Shaft | 25:48 | Gelesen von doonaboon |
Chapter 27, The Cornice and Capital, part 1 | 36:10 | Gelesen von Pamela Krantz |
Chapter 27, The Cornice and Capital, part 2 | 34:28 | Gelesen von Pamela Krantz |
Chapter 28, The Archivolt and Aperture | 24:51 | Gelesen von Pamela Krantz |
Chapter 29, The Roof | 14:41 | Gelesen von April Gonzales |
Chapter 30, The Vestibule | 21:51 | Gelesen von MorganScorpion |
Bewertungen
regional accents





Neil Kelly
annals and anals have different pronunciation and meaning. these dialect or accent issues didn't distract from the reading as Ruskin's argument demands attention and the voice of the reader is marginal to the material. Many thanks to the volunteers who bring the text to voice.
A worthwhile effort, but...





JMDinOKC
While one is grateful that people do volunteer to read these books without pay, reading this book really does require a level of proficiency and even a bit of erudition that are exasperatingly lacking in some readers. For example, the first reader not only does not make much of an effort to pronounce Italian names and phrases correctly, she makes some astonishing goofs in plain old English, such as pronouncing the word "preface" as "pree-fayce." That's a real attention-ruiner.